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Friday, September 30, 2011

hy all ..
I am back here for about matters related mempostil on tours and other unique things in Indonesia.
this time I will post about the traditional musical instrument popular in Java.Indonesia
I am very interested to watch the event on television angklun exhibition a few days ago. so I am willing to share info to my faithful readers .. in order to add new things ..
let's read the info that I mean a musical instrument
Angklung is a traditional musical instrument from West Java, made of bamboo, which sounded shaken by the way (the sound caused by the clash of bodies bamboo pipes) so as to produce sounds that vibrate in the arrangement of tones 2, 3, and 4 tones in every size, both large and small. Barrel (tone) as a musical instrument Angklung Sundanese traditional music is mostly salendro and pelog.
The origin of Angklung
In a clump of art that uses musical instruments from bamboo known type of art called the Angklung.

The type of bamboo used as a musical instrument is awi wulung (black bamboo) and awi temen (white bamboo). Prototype instrument Angklung way; each note (the barrel) is generated from the sound of bamboo-shaped tubes wilahan (bars) of each segment of bamboo from small to large sizes.
Angklung is a musical instrument from West Java. Angklung gubrag in Jasinga, Bogor, is one that is still alive since more than 400 years ago. Rite begins its emergence from rice. Angklung created and played for the lure down to the Earth Goddess Sri rice plants that people flourish.

Known by the Sundanese society since the time of the Sunda kingdom, of which as penggugah spirit in battle. Angklung function as pumping the spirit of the people still continued to feel until the colonial period, which is why the Dutch East Indies government had banned the use Angklung, the ban could make angklung popularity declined and only played by children at that time.
The origin of the musical creation of bamboo, such as angklung based view of Sundanese people who live with the source of the agrarian life of paddy (pare) as a staple food. This gave rise to the myth of trust in the Nyai Pohaci as a symbol of Goddess Sri Padi giver of life (breathe-hurip).

Reflection Sundanese people formerly in agricultural processing (tatanen) mainly in the fields and field for dry rice cultivation has spawned the creation of poetry and song as a tribute and an offering to Sri Pohaci Nyai, as well as efforts nyinglar (starting reinforcements) to match their crops did not invite disaster, both pests and disasters other nature. Buhun song lyric to honor Nyi Sri Pohaci the example:
Furthermore, the songs offerings to Dewi Sri, is accompanied by the sound of percussion accompaniment made of bamboo poles which are then born a simple packed structures bamboo musical instrument we know today called angklung. Subsequent developments in the game Angklung tradition accompanied by elements of motion and ibing (dance) rhythmic (air-wirahma) with the patterns and rules = rules in accordance with the needs of the memorial on time parading paddy rice to the barn (ngampih pare, nginebkeun), also at times mitembeyan, began planting rice in some places in West Java called ngaseuk.
Similarly, at the time of harvest festival and seren taun angklung powered game. Especially in the presentation ceremony Angklung related to rice, it becomes a performance art that are the parade or helaran, even in some places into the convoy and Dongdang Rengkong and Jampana (stretcher food) and so on.
During its development, angklung evolved and spread throughout Java and Borneo and Sumatra. In 1908 recorded a cultural mission from Indonesia to Thailand, among others, characterized the submission Angklung and bamboo music of this game also had spread there.
In fact, since 1966, Udjo Ngalagena angklung figures who developed the technique based on barrel-barrel game pelog, salendro, and madenda-began to teach how to play Angklung to many people from various communities.

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